The New Yorker Radio Hour — Анализ рекламы подкаста

Half a century ago, the “Jaws” director created the blueprint for the modern blockbuster. With “Disclosure Day,” he returns to the form he helped invent.

The former Secretary of State says that Benjamin Netanyahu and others tried to get her on board with an Iran attack. It was Trump who finally took the bait.

The podcaster discusses why investigative reporting in sports is still rare and whether fans even want it, and the problem with private equity investing in professional teams.

The most visible spokesperson for the families of Israeli hostages in Gaza discusses her memoir, “When We See You Again,” and the unending pain of her son’s captivity and murder.

The commander of Artemis II, Reid Wiseman, on travelling farther from Earth than any humans have gone.

The candidate admits that his social-media influence may not look like a “quote-unquote real job” to some people—but argues that it’s what the Democratic Party needs.

In a guest appearance on WNYC’s “Brian Lehrer Show,” Remnick discusses the Democratic candidates, editorial independence, and his upcoming event with “Pod Save America” ’s Jon Lovett.

The only living novelist with two Pulitzer Prizes talks about the crooked protagonist of his series—and how David Bowie influenced his approach to fiction.

David Remnick talks with the veteran, mechanic, and union leader, who is running in a closely watched race against a Republican incumbent in a deep-red state.

An employee at the Federal Emergency Management Agency on the use of rescue aid as a political weapon, and how it might affect FEMA’s ability to respond to the next emergency.

White discusses his relationship with the President, the upcoming match on the White House South Lawn, and why he thinks he’s above politics.

We asked Americans what they’re thinking and feeling about the nation’s two-hundred-and-fiftieth anniversary.

Three prominent historians discuss a national milestone arriving in the midst of a politically charged conflict over how Americans see the past. It’s a “goat rodeo,” Lepore says.

Harriet Clark’s new novel “The Hill” parallels her own childhood years spent visiting the prison where her mother was incarcerated. She talks with Rachel Aviv.

The reporter Peter Slevin asks the former President the question on many Democrats’ minds: Where is he, and why isn’t he doing more in a time of crisis?

The Golden State Warriors’ coach on playing with Michael Jordan in his prime, what he’s learned about leadership, and how outspoken is too outspoken in the league.

Steve Hilton is leading in the polls in a state where Democrats outnumber Republicans by twenty per cent. Could he win in blue California?

The novelist Emma Copley Eisenberg discusses her short-story collection “Fat Swim,” and the fatphobia she finds in contemporary fiction, with the critic Jennifer Wilson.

The libertarian-leaning Republican discusses his effort to restrain the President’s actions in Iran, and how he would campaign against other G.O.P. Presidential candidates in 2028.

The New Yorker staff writer, who has chronicled political violence under the Irish Republican Army and the opioid epidemic, traces how a teen came to impersonate an oligarch’s son.

The Israeli historian Omer Bartov argues in his new book that a “state ideology” of Zionism has led to what he calls genocide in Gaza.

Vogue is almost synonymous with its longtime editor, Anna Wintour. She talks with David Remnick about choosing a successor, and wearing Prada to the première of “The Devil Wears Prada.”

Ronan Farrow and Andrew Marantz on the rise of the C.E.O. of OpenAI, and how allegations of deceptive behavior continue to dog one of the most powerful figures in tech.

The New Yorker staff writer Louisa Thomas on the season’s biggest basketball stories.

Olga Rudenko, the editor-in-chief of the Kyiv Independent, explains how Russia is supporting Iran with drone technology, and how the worldwide shock to oil prices is helping Russia.

Troy Edwards tells Ruth Marcus why he left his senior position in the government, and what his father-in-law, James Comey, had to do with it.

The actor, who stars in the new Broadway production “Giant,” about Dahl’s fraught legacy, discusses whether we can separate the art from the artist.

Julio Torres got his big break as a writer on “Saturday Night Live,” and went on to make the cult favorites “Los Espookys” and “Fantasmas” for HBO. He also wrote and directed the film “Problemista,”…

The staff writer Jon Lee Anderson on what regime change in Cuba could look like, and the Pulitzer Prize-winner Ada Ferrer on the vexed history between the U.S. and the island.

Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman.